![]() Nevertheless, jazz experienced an upturn in the years of the German Blitzkrieg, so much so that after the initial war successes, the prohibition on swing dancing, for example, was once again lifted. Despite these restrictions, jazz’s presence continued, because of the ease with which ignorant inspectors were outsmarted, and the sympathies for the agreeable swing style harboured even by some Nazi functionaries.Īfter the beginning of World War II, the boycott of cultural products from so-called enemy nations, and bans on dancing, also came to affect jazz. District Nazi party leaders, police directors and local businesspeople began to issue numerous decrees prohibiting swing, jazz, and swing dancing for their respective region, city or local establishment. With the success of the new jazz-style swing and the strengthening of the so-called Swingjugend (Swing Youth), however, further repression came in 19. After some early prohibitions in this regard and the creation of the Reichsmusikkammer, which would mean exclusion for Jewish musicians and impede artistic exchange with foreign musicians, there followed a liberal phase owing to the 1936 Olympic games being held in Berlin. ![]() So-called fremdländisch (alien) music had to be eradicated. ![]() ![]() After Hitler took power in 1933, the conflict over jazz intensified. Yet bitter protest was already stirring from nationalist conservatives and right-wing circles. Jazz under the Nazis Jazz in the Third Reichĭuring the Weimar Republic, jazz conquered Germany and in the process became a symbol of the Roaring Twenties. ![]()
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